How Long the Lonely Road

There are few more melancholy sensations than those with which we regard scenes of past pleasure, when altered and deserted. —Sir Walter Scott They wore the strangest clothes , loose and dyed bright in unmatching indigo and aquamarine, belted by fanny packs full of cigarettes and hash and music fliers, almost like costumes, and to some healthy few on vacation from a career, it really was a guise. Others were old and tired, with the sallow, sunken features of addicts and long scraggly hair, the women all Janis Joplin and the men all Willie Nelson, and they had been in India for a long time. They reminded me of Diogenes the Cynic, who lived as a dog in the streets of Corinth, sunbathing nude, sleeping in a bucket, eating and defecating and fornicating wherever nature dictated. When King Alexander asked him, “Diogenes, I have heard of you, now what can I do for you?” Diogenes replied, “Could you move to the right? You’re blocking my sun.” He was making a statement: mankind can be much hap...

Not every spot is magical for everyone. Sometimes you get somewhere, look around, and think, 'Hey, this place is a squalid rat hole. I'd really rather be in the Netherlands.' And that's OK. —Seth Stevenson for Slate magazine The Jan Shatabdi Express to Aurangabad coasted out of Bombay, through hills and mangrove swamps, then sugar plantations. As the sunlight deepened to gold and then red the train passed up into the wet nooks of the Deccan, a green country of sparse fields, scattered trees, snug cottages of clay and thatch, and solitary plateaus, conical or in strange shapes, of a rich brown color, as if the earth had been overturned. We stopped in stations, sometimes for twenty minutes, and bartered through the window for bananas or sesame treats while the Sacred Cows wandered around the platforms. Tom and I had seats, and many Indians stood in the aisles or around the open doors, looking out on the landscape of their country. They talked to us with interest about t...

Far away, This ship is taking me far away, Far away from the memories Of the people who care if I live or die. Starlight, I will be chasing the starlight, Until the end of my life; I don’t know if it’s worth it anymore. —Muse Bored of the monotony of the Middle East, of the slow transitions that characterized my overland journey, changes as subtle as colors on a spectrum, I found myself needing a sudden shift; and so, having traveled an indirect route from the Thames and Fleet to the Nile’s Second Cataract, from highland moors to snowy mountains, from Scythian steppe to seas of sand, by bus and train and the power of my thumb, I flew out of Amman and across the holy desolation ruled by the House of Saud to those seven wealthy kingdoms by the sea. Indians and Filipinos manned the great way-station of Sharjah, conscripted from the provinces of the Empire of the Buck. Emirati men in long robes and turbans, laptops slung across their slim shoulders, shuffled between the terminals, and Emi...

Yet you too in your time must have known the intensity of life, that light of glamour created in the shock of trifles, as amazing as the glow of sparks struck from a cold stone — and as short-lived, alas! —Joseph Conrad, Lord Jim I've mentioned a few of the camera problems I've had to you, Reader, but not nearly all of them. Luckily my friends provided me with a few shots to fill in the gaps. I posted a batch of those, and the ones I took myself between Aswan to Haifa, to my Flickr pages. Here are a few favorite ones. Wadi Rum Photo by Jean. Nuweiba & Dahab, Egypt Photo by Yashar. Mount Sinai, Egypt Photo by Amelia. Cairo The Western Desert Aswan & Abu Simbel Jerusalem Hebron Tel Aviv & Haifa Amman & Jerash

I know I want to sing So I know I can. —Kyp Malone Why did I write two songs about Egypt? O Reader, I had plenty of time. My Eid Goat Christmas brings a great deal to television, in themes and movies and commercial bumpers. The Mohammedan festival of Id al-Adha is no different. The bumper, a 3D cartoon, begins with a nervous looking sheep. A butcher’s cleaver falls from off screen just next to the beast’s head, who then collapses on his side in an expanding pool of blood. This similarly themed song is set to the tune of that classic nursery school rhyme, My Highland Goat. The notes at the end of each line are for the kids singing along—it is, after all, a childrens’ song. Oh my Eid goat (e-oat-e-oat-e-oat) Was feeling fine (e-ine-e-ine-e-ine) Until he saw (e-aw-e-aw-e-aw) What's on my mind (e-ind-e-ind-e-ind) It’s time for Eid (e-eid-e-eid-e-eid) The crowd grew nigh (e-eye-e-eye-e-eye) Out in the street (e-eet-e-eet-e-eet) That goat must die (e-eye-e-eye-e-eye) They took my goat (e...